The claims on these eyeshadow palettes aren’t too outlandish, which I appreciate. In all honestly, I only tried out this investment piece of an eyeshadow palette after hearing countless people whose opinions I trust rave about the quality of these palettes – namely the Neutral Matte offering – and these people included makeup artists. I have mattes that I like and dont find myself overly excited by them so I went with the mid tone satin palette. Viseart emphasizes that these are professional palettes that can be used in a myriad of ways: to shade the eyes, highlight the eyes and to define the eyes, brows and contours of the face. The idea behind these palettes for personal use is that they allow the consumer to achieve professional quality results at home. They also claim that because the formula is manufactured in France in small batches, they are able to maintain pigment quality, powder integrity, and consistency. The back of my palette also specifically makes the claim that it houses the essential shimmery eyeshadows, formulated to be highly pigmented, smooth “with a homogeneous texture”, easy to blend and long-lasting without fallout. The Viseart Shimmer Eyeshadow Palette in 05 Sultry Muse retails for $100 CDN and the cost breakdown is $4.17 per gram. Note: The price per gram makes the product rather affordable as a whole as its even less expensive per gram than MAC eyeshadow pans, which have a cost of $5.33/gram. It’s an initial investment as a palette but you do get an impressive amount of product that if you use it, is easily worth the price.
The packaging is nothing if not practical, and I don’t mind that it doesn’t have a mirror because its so compact and travel-friendly – I am someone who would want an entire palette to travel with, but you might not be. The clear lid lets you see the product clearly and I appreciate the secure closure that it has. The palette comes with 12 shades that cumulatively house twenty four grams of product. The textures mainly range from satins to shimmers, as Viseart says, but there are also a few more refined glitters in the mix. Before I get into my feelings or verdict on the palette, I’ll review the shades from left to right, in order of top to bottom – they aren’t named! Actually scrap that. Temptalia has somehow found the names. I take it that they were on the box and this was the one box that I haven’t hoarded.
Yves– It’s a shimmery and slightly frosty neutral white with some fine micro glitter specs. It had fine pigmentation and a smooth enough texture to work with.
Camille– It’s a gorgeous mid-tone copper with a satin finish that deposits a sheen without using shimmer particles. It has a strong colour payoff, was easy to work with and had an extremely smooth texture.
Kifu– This shade was a bit more difficult to work with, as its a pale sheeny yellowed pale beige with chunks of micro glitter that make the shadow a bit more chunky and less smooth.
Gitte – This shade is a pale golden brown with warm peachy undertones that reminds me of MAC Patina with slightly more colour payoff, less taupe undertones and a stronger golden lean. It’s a shimmer in finish and has a gorgeous smoothness, despite its shimmer particles themselves – I’d call them microshimmers though.
Tym – This one is definitely a striking shade in the palette, as its a satin shade with no visible particles and an almost metallic kind of sheen. The formula on this one is perfect and its a slightly burnt-orange rosy copper kind of shade.
Jori – It’s a deep chocolate brown and a satin finish. The sheen is incredibly subtle on this one so it could easily be used to add depth around the lash line or outer v. It has very nice smoothness and pigmentation for the kind of shade it is.
Cindi – It’s a medium toned copper with burnt orange undertones that has a metallic-y kind of brightness. It’s a satin shade with some shimmer but no noticeable particles. It’s one of the silky shades. It has an identical formula and depth of colour to Tym.
Chantille – This is a smooth and silky medium-toned brown with rosy undertones. It hardly has any active shimmer particles and instead has a velvet texture with the smallest sheen.
Chloe – It’s the surprising cool toned, shimmery light silver with gunmetal undertones that has a less smooth formula because of the more substantial microglitters.
Melonie – This one is an ever-so-slightly lightened version of both Tym and Cindi, with more of a champagne kind of base that leans very coppery. It’s silky smooth and has a satin finish with an almost-metallic kind of sheen.
Diana – It’s a blackened charcoal with slight silvery blue shimmer running throughout but the base is satiny and it comes across as such. It has a great smooth formula, especially for the depth of colour.
Ceska– This ended up being among the more unique shades in the palette; it’s a subdued paled out gold with yellowy undertones. There aren’t particles of shimmer but the pearlescent sheen is definitely there.
Each and every one of the shades in the palette has excellent pigmentation, lasts as long as an eyeshadow will on me without creasing – I have the kind of eyes that prevent eyeshadow from staying put – and are easy to work with. I have no qualms about the formula of the eyeshadows and from a quality standpoint, they are phenomenal. The texture on the shadows is silky smooth but they don’t kick up a lot of powder or fallout at the same time, making them easier to use. There were a couple that didn’t have that smooth texture, as noted above, but they were easy to use and performed well regardless. The issue I have with the palette is with its design. The all shimmer palette isn’t practical as a standalone palette, even for a shimmer lover like me – I need to pull mattes for the crease at the very least. And in the picture below, I have used a matte transition shade and a matte crease shade to supplement the palette. Aside: the lighting is washing out the depth of the deeper shades in the photo below – they are much smokier in person. Also, I’m having the worlds worst skin day. I do note that Viseart is aware of this and chooses to create their professional size palettes with one exclusive finish, for the use of the professional who needs the confidence that their finishes are separate – and that there aren’t flecks of shimmer falling into the mattes, for instance. Whether or not this palette is worth the money will be up to personal preferences; if you’re in the market for some warm-toned shimmers with an excellent formula and don’t mind the initial investment, I would give these a go. However, since a variety of other brands make shimmers that perform well, I won’t say that you need to go out and get these. In all honesty, their mattes could be more of an essential as they are more difficult to find impeccable formulas in – but mattes just don’t excite me in the same way.
Have you tried Viseart?