The Daily Face #24 | Smokey Eyes and Rosy Lips & Cheeks

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I acknowledge that with my general busy-ness over the last few weeks I could write a book on the things that I’ve been slacking on but one of the most noteworthy things that I’ve been slacking on for a much longer period is doing these daily makeup posts on the regular – it’s been likely over three months since my last one and I haven’t been doing them consistently since last summer, even though they were once one of my most frequent posts – and here I am, finally getting my act together with one. This is a neutral but smokey eye kind of situation with a rosy lip and all things that I love and go for when I have a bit of time and effort to put into my makeup – because of all that blending etc. – and I’ve featured some well-documented love products, a few new items that I’ve been enjoying from my recent Target trip and the Sonia Kashuk Creme Bronzer that I just felt like digging out today for the first time in ages.

Face

DSC_0323To be completely honest, I did the entirety of my eye makeup before even thinking about what went on my face because I could for once but I seem to have a mental block against actually starting off the post with anything other than the face, but I digress. Before going in with a pump of the DiorSkin Star Studio Makeup in 20 (and a little bit more to help the matching situation on my neck), I went in with my newly-acquired Maybelline FaceStudio Master Prime in Blur + Redness Control to actually prime the face. I’m actually rather enjoying the silicone-based primer because it’s rather lightweight but it does not have much of a green tint applied to the face to be honest. To cover my generally problematic undereye darkness, I dabbed on some Pixi Brightening Peach Correction Concentrate, with most of the product staying in the inner corner. I randomly decided to go for some cream bronzer today, concentrating the product, the Sonia Kashuk Undetectable Creme Bronzer in Rich Bronze, in the hollows of my cheeks before blending out to the temples and the top of my large forehead before setting my t-zone with some of the lovely MAC Studio Careblend Pressed Powder in Light. For blush, I went for the gorgeous rosy-coral hued Hourglass Ambient Lighting Blush in Diffused Heat and feeling kind of dull and matte after that bit of powder, I went in with Incandescent Light from the Hourglass Ambient Lighting Palette  as a highlighter, focusing on my cheekbones.

 

Eyes

DSC_0334I started the whole face with my beloved NARS Pro Prime Smudgeproof Eyeshadow Base because it actually works to keep things on and relatively uncreased, despite my deep-set eye situation before moving onto the gorgeous Dior 5 Colour Eyeshadow in Cuir Cannage that I’ve been loving reaching for on the daily. I began by blending some of the matte caramel shade into the crease, before building it up to add some depth and then applied the shimmery champagne onto the inner 2/3 of my lids with my fingers, dabbing a nice amount in the inner corners along the way – then the smokiness happened. I smudged the metallic plum along my lower lash-line and applied it to the outer corners of my eyelids, blending it somewhat into the crease, before finishing off the eyeshadow situation by concentrating the blackened plum shade in the outer corners, building up the colour before blending it into the surrounding haze of colour. On the eyeliner front, I went for a thin line and the subtlest flick using the L’Oreal Lineur Intense Brush Tip and for mascara, I went for a nice coat of Maybelline The Falsies on both the top and lower lashes. For the brows, I’ve still been using my rather large sample of the Anastasia Dipbrow Pomade in Taupe and have been enjoying it tremendously – I apply it with an angled brush focusing on the outer tail and arches of my brows before bringing it forward slightly and this way it gives a defined but actually believable sort of effect. It will be purchased full-size before long.

Lips

DSC_0329There really should have been some balm in the equation first but to be honest, I went straight in with the rosy coloured Annabelle Stay Sharp Waterproof Lip Liner in Java – which I’m loving by the way, especially for having a creamy formula and a retractable tip that actually does not break off – to both line and fill in my lips. Over the top, I went for the comfortable muted rosy-red offering from NARS, the NARS Velvet Matte Lip Pencil in Dolce Vita; and this is equally as amazing for a warm-hued true rosy shade for the lips, if you had any sort of doubt.

What makeup have you been reaching for as of late?
Maggie, x.

The Fuss-Free & Wearable Smoky Eye

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Unfortunately I didn’t take a good look in the mirror with some good lighting so I suppose you’ll have to live with the patchy lip product application in these photos, as they are besides the point of this post. And it’s nowhere near as bad in real life, I tell you. I’m by no means calling myself someone with particular expertise with the whole smoky eye thing but I do rock one fairly often – it was the first makeup look that I fell in love with, after all – and considering that it’s something that my real life friends tell me they find that it’s difficult, I figured I would give a more intensive post a go. This might be quite intense for some but legitimately I wear it to school and such and it doesn’t look too heavy, but I’ve been told that with my rather large deep-set eyes I can pull of a lot of eye makeup without looking overly done up.

As per usual, I began with a base and this time I went for the unfortunately limited edition Maybelline Color Tattoo in Nude Compliment to add a hint of taupe with the added longevity and such. I just used my fingers here as I honestly can’t be bothered to use any more brushes than I have to.

The main brush used was my ancient MAC 217, and it was first used to apply the caramel hue from the Dior Greige Quint as a transition colour and base crease colour but I also applied it to the outer corner. The main palette in use here was the metallic Marc Jacobs Beauty The Starlet but it is unfortunately lacking in matte basic sort of shades. With the same brush, I packed the champagne with a mauve lean all over the lids and into the inner corner, which keeps the look
from being too dark. Concentrating on the outer third of the lid and crease, using the same brush again, I went for the dark bronze brown and slowly built up the colour. Then I switched to a generic shading brush with the same shade, concentrating on the outer v and lower lashline. Before dealing with the blending, I went straight onto liner, using my creamy Annabelle Smoothliner in Black to tightline and to smudge into the upper and lower lashes with the same shading brush. And before going in with a good couple of coats with a mascara that does amazing things for my lashes, I blended out the harsh corners and diffused the colour with my Real Techniques Domed Shadow Brush , going for a blown-out rounded shape rather than having to clean up the outer corners. Then concealer is a must… either for toning down messiness from the blending or eliminating darkness.

So here is my take on a subtler smoky eye. I have to say that I haven’t mastered this yet but if you’re looking for someone who has, check Amelia Liana out (she blogs and does videos) – she’s the smoky eye queen! What are your go-to’s for a smoky eye?

Maggie, x.

 

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The Beauty Bargain: The “True Nude” Lipstick

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Following the usual theme here at beautylitandramblings, I really intended to bring you the second post in this series much sooner than this but obviously I agonized over what product deserved to be featured next and got distracted – at least I’m honest with myself. Like future-editions-to-come, I’m talking about a product that I’ve reviewed before but I believe still deserved its own mention in this new category of affordable beauty purchases. While the Maybelline ‘The Buffs’ Colorsensational Lipstick in Blushing Beige ($9 CDN)is a little bit too pale and too much of a true nude to be one of those less-traditional nude shades with more colour to them that can be even flattering with even the most minimal makeup (a la MAC Patisserie) but nevertheless, it’s the ideal shade to pair with an authentic smoky eye for that classic vibe.

I’m sure I said this in the initial review here, but I’m mentioning how similar (yet improved) this shade is to the classic MAC Creme d’Nude yet again; it’s not quite as pale and has a much more forgiving and flattering formula on the lips but has that same strong peachy undertone that keeps things from looking ghastly or washed-out in the slightest. However, the scent is not nearly as nice as instead of that classic vanilla scent, you have to deal with that play-doh one but I don’t mind too much. The smooth formula doesn’t dry out my sensitive lips either and lasts for a good amount of time. If I were a lip-liner kind of girl (read: if I had the ideal my-lips-but-nicer shade in my possession), I would be tempted to go for it to add some definition back between the lips and the skin but it’s not completely necessary, if you ask me. And as one might expect, this warm-toned nude is not going to provide any teeth-whitening sort of favours.

P.S. I’m in shock that I managed to write this post without going overboard, actually hitting at just 300 words. I’m aware of my issues with rambling and concision…

What’s your favourite affordable drugstore lip?
Maggie, x.

 

 

Preliminary Musings on L’Oreal Colour Riche Eye Shadow

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Although there are a few exceptions, the general consensus in the beauty blogging world (if there is such a thing) is that eyeshadow tends to be a product that is worth investing in as drugstore offerings are a gamble, typically with little pigmentation, glitter overload and/or dry textures. Being generally impressed with the L’Oreal brand, I’ve been eying these quads for ages but have been hesitant in forking over the $12 CDN on something that can’t be returned — you cannot return drugstore makeup in Canada, if you weren’t aware — and could likely be a dud, but the shades looked nicely put together with a variety of depth and texture in shades, coming with a good deal of product, housed in the nice gold packaging… Yesterday I went into Lawton’s (a Canadian drugstore) and spotted these on for $7.99, I couldn’t resist.

I haven’t heard really anything about these shadows despite the constant blog perusing that I engage in and considering how impressed I was with the shadows, colour me surprised. Here I am yet again, talking about a product without mentioning what it is actually called and any sort of details about the shade, — I can’t help that this has me rather excited. I quite enjoy how these L’Oreal shadows do not have a name suggesting some ridiculous claim (L’Extrordinaire, anyone?) but rather gave it a sensical name, Colour Riche Eye Shadows, that is. They had a great selection of shades but I was drawn to 527 Sultry Seduction for its inclusion of a light shimmery shade, a medium-toned shade reminiscent of MAC Satin Taupe and the inclusion of two dark colours with minimal shimmer.

I’m tempted to say that formula-wise, these are my favourite drugstore eyeshadows in this quad form, with strong pigmentation, a blendable texture that reminds me of Urban Decay shadows — albeit with a slightly drier texture in some darker more matte shades, but impressive as a whole. They remind me of the Maybelline Eyestudio Quads, except with slightly stronger pigmentation and longevity and more of a variety in textures (i.e. shimmer vs. mattes). From washing them off from swatches and seeing them wear throughout the day, I would say the longevity is good but not amazing on my crease-prone lids, comparable to Urban Decay shadows — I have heavy-lidded eyes that despite not being oily or having smudging problems, tend to be prone to creasing, for reference.

Sultry Seductress strikes me as an everyday palette that is on the smokier side and can definitely be transitioned into evening with the inclusion of the darker shades – there are much more ‘neutral and subtle’ palettes in the range, without the inclusion of darker shades but being a fan of outer corner definition, this sort of palette was of far more interest.

Out of the four there’s only one frosty shade but it’s not overly frosty. It’s a pearly shade with neutral undertones, slightly pink in tone but with a hint of silveriness to it. The texture and pigmentation was rather impressive of this one and as a whole it reminds me of the lightest shade in my MARC JACOBS THE STARLET PALETTE. The fantastically textured and pigmented, warm taupe shade reminded me of the cult favourite MAC Satin Taupe and didn’t disappoint on the quality front – it was shimmery but not frosty. The darker shades were where I was particularly impressed, to tell you the truth — the slightly-warm toned medium-dark plummy-purple shade was fantastically pigmented despite its sheeny texture and the graphite shade, with some micro glitter in the pan (but doesn’t really appear swatched) was surprisingly pigmented and workable on the lid. The two darker shades aren’t the softest of shadows, with textures reminiscent of MAC’s velvets such as Sketch, but they weren’t difficult to work with in the least and high end shadows of these textures tend to have the same shortcomings. Although it has no truly matte shade, this palette impressed me with its darker colours and less shimmery finishes and ability to create a defined slightly-smoky plum-toned eye without incorporating another palette. There was some fallout with the lighter two shades, but it was extremely minimal for the darker ones, I’m pleased to report.

So here I am in the library at school, compelled to write a post detailing the budget-friendly quad that worked to create my kind of eye with minimal effort and a flattering result.

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 Note: These swatches were not heavy but rather a moderate swipe on bare skin

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What are your favourite budget eyeshadows? Have you tried any shades from this line?

Maggie, x.